André Watts, soloist, piano, E. MacDowell Piano Concerto #2 in D, Op.23

“Whenever you ask someone who has had a long career about repertoire and how it has changed, I’m sure it varies…but I think [the approach] can’t help but change, because people change. The ordinary or not-so ordinary reality of life itself, separate from music—if there is such a thing—changes the interior of a person, so the music making also changes.”
– André Watts

Scroll down for artist biography.

Though Mr. Watts notates sparingly, if at all, he agreed to share this example.
Andre Watts

Andre Watts

Watts: Gershwin, Preludes #1, #2, #3

 

André Watts was born in Nuremberg, Germany.  His mother was Hungarian and his father an American officer.  His young years were spent in Europe near the bases where his father was stationed, but when he was 8, his father was re-assigned to the US and the family settled in Philadelphia, Pa. Having already become conversant on the piano thanks to his mother’s teaching, he was enrolled at the Philadelphia Musical Academy, now part of The University of the Arts. In 1963, immediately after winning the competition to perform at the Carnegie Recital Hall for Leonard Bernstein’s televised Young People’s Concerts, the conductor asked the young Watts to step in for an ailing Glenn Gould for the regular subscription concert. When he completed his performance of Liszt’s E-flat Concerto, both the audience and the orchestra gave him a standing ovation. Maestro Watts holds the Jack I. and Dora B. Hamlin Endowed Chair in Music at Indiana University’s Jacob School of Music.  He is admired by audiences and musicians alike and is universally considered one of the world’s greatest pianists.  He was reluctant to contribute to this project arguing that he makes very few annotations. Yet, his hand is, indeed, delicately visible on the page.

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